Review: 'Tangerine,' a Madcap Buddy Picture About Transgender Prostitutes
By MANOHLA DARGIS
Sean Baker's fast, funny comedy, shot on iPhones, doesn't dive deep into transgender identity but shows that femininity is a mask that can be slipped on and off.
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Review: Robin Williams as a Hustler-Hiring Husband in 'Boulevard'
By STEPHEN HOLDEN
Mr. Williams plays a 60-year-old bank officer in a passionless marriage whose life is shaken up by the company of a male hustler.
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Review: In 'Self/less,' Immortality at a Cost
By A. O. SCOTT
Ben Kingsley plays a terminally ill real estate magnate who pays a lot of money to have his consciousness uploaded into Ryan Reynolds's body.
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Review: 'Do I Sound Gay?' Examines a Manner of Speaking
By STEPHEN HOLDEN
This documentary, written and directed by David Thorpe, dissects the stereotype of the so-called gay voice.
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Review: In '10.000 km,' Lovers an Ocean Apart Struggle to Connect
By A. O. SCOTT
Carlos Marques-Marcet's film about a couple's shift to a long-distance relationship looks at the role technology plays in negotiating absence.
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Review: 'The Gallows' Somehow Finds More Horror Footage
By NEIL GENZLINGER
This movie about high school students trapped in a seemingly haunted auditorium has plenty of rickety camerawork, but that doesn't add to the scariness.
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Review: 'Stations of the Cross,' a Portrait of Religious Fervor
By STEPHEN HOLDEN
This movie by the German director Dietrich Brüggemann can be viewed three ways: as a critique, a spiritual work or a sly comedy.
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Review: In 'Strangerland,' Relocating Does Little to Ease a Family's Strains
By BEN KENIGSBERG
This fiction feature debut from Kim Farrant centers on a family of new arrivals in an Australian desert town, which is soon clouded by mystery and a dust storm.
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Review: 'Meet Me in Montenegro,' Romance for Ex-Lovers
By NICOLAS RAPOLD
The directors Linnea Saasen and Alex Holdridge both wrote and starred in this film, which is a semi-autobiographical love story of their own lives.
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